The inspiration for this three-part work goes back to the International Wind Music Festival of the Youth of Europe, of which Jacob de Haan was the patron on several occasions. It begins at a festive marching tempo, followed by sacred music, instrument groups playing off stage and a little march for brass and flutes. The third movement is a parade in which the divided orchestra moves onto the stage from different directions. Even without the effective positioning of the musicians, "Call of the Va...