François Couperin (1668 – 1733)

Pièces de clavecin. Premier livre

Bärenreiter Urtext

F. Couperin: Pieces de clavecin 1, Cemb (0)F. Couperin: Pieces de clavecin 1, Cemb (1)F. Couperin: Pieces de clavecin 1, Cemb (2)F. Couperin: Pieces de clavecin 1, Cemb (3)F. Couperin: Pieces de clavecin 1, Cemb (4)
forHarpsichord
Musical EditionsMusic score (Urtext edition)
Item no.659382
Author / ComposerFrançois Couperin
EditorDenis Herlin
Leveladvanced
Scope128 pages; 24.5 × 31 cm
Year of origin1713
Release year2016
Publisher / ProducerBärenreiter
Producer No.BA 10844
ISMN9790006505616

Description

The high point of French clavecin music

The original edition of the first volume of Couperin’s “Pièces de clavecin”(1713), supervised by the composer himself, is noteworthy for its extraordinary notational precision. It contains exacting performance instructions, for which Couperin created his own symbols. This new Urtext edition in a modern engraving retains the essential features of the original print, such as the distinction between curved ties and straight legato slurs, thereby giving today’s players fascinating insights into the special sound of this music.

The editor has, for the first time, closely analysed the various proofs of the original edition, some of which he discovered himself. He lists these alternative readings in the Critical Commentary. The edition also presents conflicting versions of several pieces as well as an anonymous work possibly attributable to Couperin. A detailed Foreword, notes on period performance practice and facsimile illustrations round off this edition, making it indispensable to all admirers and performers of French clavecin music.

  • First evaluation of an extensive number of sources
  • With Couperin’s original expression marks
  • Contains optimum page turns
  • Notes on performance practice, detailed trilingual Foreword (Fr/Eng) and a Critical Commentary (Eng)

Content

  • Préface
  • Preface
  • Glossaire / Glossary
  • English Translation of the Preface to Couperin's First Book
  • Pièces de clavecin. Premier livre:
  • Preface
  • Premier Ordre:
  • Allemande l'Auguste
  • Premiere Courante
  • [Première Courante avec] Dessus plus orné sans changer la Basse
  • Seconde Courante
  • Sarabande la Majestüeuse
  • Gavotte
  • Ornemens pour diversifier la Gavotte précédente sans changer la Basse
  • La Milordine Gigue
  • Menuet
  • Double du Menuet précéndent
  • Les Silvains
  • Les Abeilles
  • La Nanète
  • Les Sentimens Sarabande
  • La Pastorélle
  • Les Nonètes
  • Les Bourbonnoise Gavote
  • La Manon
  • L'Enchanteresse
  • La Fleurie ou la tendre Nanètte
  • Les Plaisirs de Saint Germain en Laye
  • Second Ordre:
  • Allemande la Laborieuse
  • Premiere Courante
  • Second Courante
  • Sarabande la Prude
  • L'Antonine
  • Gavotte
  • Menuet
  • Canaries
  • Double des Canaries
  • Passepied
  • Rigaudon
  • La Charoloise
  • La Diane
  • Fanfare pour la Suitte de la Diane
  • Le Terpsicore
  • La Florentine
  • La Garnier
  • La Babet
  • Les Idées Heureuses
  • La Mimi
  • La Diligente
  • La Flateuse
  • La Voluptüeuse
  • Les Papillons
  • Troisiême Ordre:
  • Allemande la Ténébreuse
  • Premiere Courante
  • Second Courante
  • Sarabande la Lugubre
  • Gavotte
  • Menuet
  • Les Pélerines
  • Les Laurentines
  • L'Espagnolète
  • Les Regrets
  • Les Matelotes Provencales
  • La Favorite Chaconne
  • La Lutine
  • Quatriême Ordre:
  • La Marche des Gris-vêtus
  • Les Baccanales
  • La Pateline
  • Le Réveil-matin
  • Cinquiême Ordre:
  • Allemande la Logivriére
  • Premier Courante
  • Seconde Courante
  • Sarabande la Dangereuse
  • Gigue
  • La Badine
  • La Badine (1707)
  • La Tendre Fanchon
  • La Bandoline
  • La Flore
  • L'Angélique
  • La Villers
  • Les Vendangeuses
  • Les Agrémens
  • Les Ondes
  • Explication des Agrémens, et des Signes
  • Appendice / Appendix:
  • La Diane (1707)
  • Critical Commentary:
  • Sources
  • Special comments
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