Olivier Messiaen (1908 – 1992)

Catalogue D'Oiseaux, Pour Piano, Livre 7

The Buzzard, The Black Wheatear and the Curlew

O. Messiaen: Catalogue D'Oiseaux, Pour Piano, Livre 7, Klav (0)O. Messiaen: Catalogue D'Oiseaux, Pour Piano, Livre 7, Klav (1)O. Messiaen: Catalogue D'Oiseaux, Pour Piano, Livre 7, Klav (2)O. Messiaen: Catalogue D'Oiseaux, Pour Piano, Livre 7, Klav (3)
Para:
Piano
Material:
Partitura
№ de artículo:
177084
Autor / Compositor:
Idioma:
francés
Alcance:
24 Páginas
Editorial / fabricante:
N.º del fabricante:
AL22947
ISMN:
9790046229473

Descripción

The Bird Catalogue by Olivier Messiaenis a set of 7 books with 13 pieces for Piano composed between 1956 and 1958. Each volume refers to a special bird and to the French region where the bird is typically from. The piece does notonly describe the bird, it also depicts its surroundings, such as other birds, the landscape of its area, the colours and the temperature. Book 1 - Le Chocard des Alpes (Alpine Chough) - Le Loriot (Golden Oriole) IH Le MerleBleu (Blue Rock Thrush) Book 2 - Le Traquet Stapazin (Black-Eared Wheatear) Book 3 - La Chouette Hulotte (Tawny Owl) - L'Alouette Lulu (Wood Lark) Book 4 - La Rousserolle Effarvatte (Reed Warbler) Book 5 - L'AlouetteCalandrelle (Short-Toed Lark) - La Bouscarle (Cetti's Warbler) Book 6 - Le Merle de Roche (Rock Thrush) Book 7 - La Buse Variable (Buzzard) - Le Traquet Rieur (Black Wheatear) - Le Courlis Cendré (Curlew) As mentionedabove, this 7th Volume focuses on the buzzard, the black wheatear and the curlew. The first one, the Buzzard represents _x001A_La matheysinex001A in the Dauphiny area, the Black Wheatear, the area of Roussillion and the Curlew, the westcoast of Brittany. The interpretation of these pieces requires a strong level of ability on Piano (upper advanced), due to some complex techniques required. Olivier Messiaen (1908-1992) was a French organist and composerpassionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, itsharmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Treatise on rhythm, colour and ornithology' in 7 volumes.

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