The first of two volumes containing repertoire from this crucial document for our understanding of the Salisbury Use in 16th-century England, EC48 contains music by key figures such as Tallis and Sheppard not elsewhere collected in the series, as well as works by unnamed composers. The editor has established a provenance for this collection later than that previously assumed by scholars, and from authoritative sources has provided plainchant for those sections required to complete the performanc...