op. 14
The present original composition was prompted by a remark made by George Warren in Soundboard (November 1976), in a feature review discussing Frederick Noad’s facsimile edition of music by Sor, suggesting that Sor’s Gran Solo Op. 14 may be related to the missing one-movement Concertante for guitar and strings by Sor. The composer does not posit that this work is in any way related to the history of the original Concertante.