com ligeiros sinais de uso
Felix Mendelssohn Bartholdy (1809 – 1847)

St. Paul op. 36

Oratorio
MWV A 14

AQ: F. Mendelssohn Barth: Paulus op. 36, 4GesGchOrc (B-Ware) (0)AQ: F. Mendelssohn Barth: Paulus op. 36, 4GesGchOrc (B-Ware) (1)
para:
4 solistas (SATB), coro misto (SATB), orquestra, órgão
Edição:
Violino 2 (parte orquestral) com ligeiros sinais de uso
№ do artigo:
1654284
Autor / Compositor:
Editora:
Âmbito:
40 Páginas
Duração:
145 minutos
Ano de publicação:
1997
Editora / Fabricante:
N.º do fabricante:
CV 40.129/12

Descrição

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music.

In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition.” He described it as a “jewel of the present.”

Scoring

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 4 Cor, 2 Tr, 3 Trb, Serpente, Timp, 2 Vl, Va, Vc, Cb, Org

Conteúdo

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music.

In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition.” He described it as a “jewel of the present.”

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