“Music is yet but in its nonage, a forward Child, which gives hope of what it may be hereafter in England, when the masters of it shall find more Encouragement.” Henry Purcell (1659-1695)
Honouring the past, yet joying in the modern influences from Europe, Purcell forged forwards, and spearheaded musical development for a number of decades. Browse our sheet music and scores, and explore more of Purcell’s work today.
Henry Purcell was born in Westminster, where he lived his whole life. Part of a highly musical family, Purcell’s father, Henry Senior, was a gentleman of the Chapel Royal, and his uncle Thomas was also a musician. He was a boy chorister at the Chapel Royal, and at the age of 14, while studying at Westminster School, young Henry Purcell was appointed Assistant of the King’s Instruments under John Hingston. One year later he became Organ Tuner at Westminster Abbey, and the following year, he was employed to transcribe organ anthems for the Abbey.
At the age of 18, Purcell succeeded Matthew Locke as Composer for the King’s Viols, and the appointment as Organist of Westminster Abbey followed just two years later, as John Blow, recognising Purcell’s remarkable talent, chose to step down. Three years later, Purcell became Organist of the Chapel Royal, a post he held alongside his work at the Abbey.
Purcell married his wife Frances shortly before taking the Organist role at the Chapel Royal, and they had six children, two of which survived, including Edward Purcell, who went on to be Organist at St. Clements, London.
Much of Purcell’s Keyboard Music, the Organ Works by Purcell, and Purcell’s Chamber Music came from his early years, including his Sonatas for Viols, and with his various ecclesiastical appointments, his focus naturally turned to sacred music and choral music. His Anthems, and Verse Anthems are particularly celebrated, most famously Funeral Music for Queen Mary (1695).
Purcell’s secular songs, and the theatrical works by Purcell are particularly well known. He wrote incidental music and songs for over 40 plays, and he wrote a number of semi-operas, which include music and dialogue, notably King Arthur (1691) and Fairy Queen (1692) based on Shakespeare’s A Midsummer Night’s Dream. His 1689 opera Dido & Aeneas, which was commissioned by, and first performed at Josias Priest’s School for Young Gentlewoman in Chelsea, is the only work he wrote which was through composed, including Italian-style recitative.
Purcell’s final work, Daniel Purcell, who was organist at Magdalen College, Oxford, completed the work in his honour.
Edition Schott
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