D-DurWq 183/1
In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repetition with smallsegmented triad splitting. The fact that the material of the whole movement is won from that, is a principle which was often used in the classical period.
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