Feldmans Werke sind immer extrem ruhig aufzuführen. Harmonien sind vorherrschend, nur hie und da vermeint man einen Bruchteil einer Melodie zu vernehmen. Mimosenhaft zart und schüchtern gibt sich auch "Instruments I", obwohl manchmal der Versuch unternommen wird, aus der Zurückgezogenheit, aus dem In-sich -Versenktsein auszubrechen.
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