George Frideric Handel (1685 – 1759)

Let thy hand be strengthened

Coronation Anthem II
HWV 259

G.F. Händel: Let thy hand be strengthe, Gch52VlVlaOB (Part.) (0)G.F. Händel: Let thy hand be strengthe, Gch52VlVlaOB (Part.) (1)G.F. Händel: Let thy hand be strengthe, Gch52VlVlaOB (Part.) (2)G.F. Händel: Let thy hand be strengthe, Gch52VlVlaOB (Part.) (3)
for:
Mixed choir (SAATB), 2 violins, viola, 2 oboes, basso continuo
Musical Editions:
Score
Item no.:
1645496
Author / Composer:
Editor:
Language:
english
Scope:
28 pages; 25 × 32 cm
Duration:
8:00 minutes
Year of origin:
1727
Release year:
2023
Publisher / Producer:
Producer No.:
CV 55.259/00
ISMN:
9790007252014

Assigned items

Description

Scoring: Coro SAATB, 2 Vl, Va, Bc, 2 Ob

Music for the ages: the coronation anthems Zadok the priest, Let thy hand be strengthened, The King shall rejoice and My heart is inditing, which Handel composed for the coronation of George II in 1727, are true masterpieces of the choral literature. Let thy hand be strengthened was probably performed at the beginning of the coronation ceremony in London's Westminster Abbey.

For the Carus edition, available either individually or as a set, musicologist, composer and flutist Alon Schab has returned to the original manuscripts, paying special attention to the specific circumstances that played a role in the creation of the anthems. Befitting such a festive occasion, Handel’s choir in 1727 was a large ensemble composed of singers from two institutions. This six- or seven-voice ensemble had to be carefully balanced to perform the passages for four or five voices.

Handel’s autograph score shows how he adapted his composition, originally conceived for a four- or five-voice choir, to the particular circumstances of the premiere: The manuscript is peppered with surprising vocal doublings, insertions, and rests, intended to ensure that, for example, the few tenors were not overpowered by the more numerous altos and basses, the boy sopranos harmonized with the mature voices, and the chorus blended well with the instruments in the rich ambience of Westminster Abbey.

This edition traces these ad hoc additions to reveal a score that is startlingly similar to Handel’s familiar and beautifully direct choral style. All editorial decisions are thoroughly documented in the critical report.

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Delivery time: 4–9 working days (Finland)
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