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I (ohne Satzbezeichnung) - II Adagio - III (ohne Satzbezeichnung)
Edition Schott
The three-movement piece refers to Bruckner's music in different ways: in the first movement, Hummel used the initials A-B and the beginning of the main theme from Symphony No. 8; in the second movement, the first four tones of the 'Adagio' from Symphony No. 9 play a major role, and the third movement, a toccata-like finale, gets its life from further tone sequences and motifs of Bruckner. The work ends in a majestic climax. This piece is a rather demanding, yet rewarding piece for any interpreter, and its performance in the church is extremely effective.
I (ohne Satzbezeichnung) - II Adagio - III (ohne Satzbezeichnung)
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