(Op. 82, Nos. 1 and 2)
These two pieces are among the few intended for the chromatic harp that can be performed with small adaptations with the pedal harp too. They are taken from the collection entitled 10 Esquisses pour piano par Emanuel Moór, in two volumes, published in Paris by Eschig in the early 1900s and, unlike the other eight, next to the title they bear the note “Pour piano ou harpe chromatique”.
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