IV. From The Piano's 12 Sides
"Without a melodic line to anchor oneself on, I ask the pianist to use the instrument like a canvas over which many different color combinations are applied evenly throughout. The amount of restraint required to achieve this is formidable. The work's interior...pulls one into a timeless realm. In this section no tempo should be felt by the listener-only a sense of eternal suspension." (Pann)
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