Content
Chapter 1 - Four-Part Chords: Major Chords
- Minor Chords
- Dominant Chords
- Half-Diminished / Diminished Chords
- Drop Two Technique
- Piano Textures
- Voice Leading
- Exploring the Potential of Drop Two Voicings
- Exercise Section
Chapter 2 - Inverted Four-Part Chords: Preliminaries
- Chromaticism
- Invertible Counterpoint
- Exercise Section
Chapter 3 - Five-Part Chords: Major Chords
- Minor Chords
- Diminished Chords
- Dominant Chords
- Suspended Chords
- Keyboard Style
- Chorale Style
- Inverted Five-Part Chords
- Exercise Section
Chapter 4 - Rootless Five-Part Voicings: Practicing Rootless Chords
- The ii-V7-I Progression in Keyboard Style
- The Sus7 Dominant Preparation
- The iiø-V7-i Progression in Keyboard Style
- Basic Melodic Elaborations in Chorale Style
- Exercise Section
Chapter 5 - Six-Part Chords: Pairs of Triads
- Superimposed Triads
- Rootless Voicings
- Upper-Structure Triads in the Dominant 7th Chord
- Combinations of Extensions
- Drop Two Dominant 7ths
- Suspended Chords
- Rootless Dominant 7th and Sus7 Chords
- Voice Leading
- Exercise Section
Chapter 6 - Incomplete Chords: J. S. Bach's Setting of a Chorale
- Major, Minor and Half-Diminished / Diminished Chords in Chorale Style
- Dominant 7th and Suspended Chords in Chorale Style
- Rootless Formations in Chorale Style
- The II-V-I Progression
- Invertible Counterpoint
- Linear Embellishments
- Exercise Section
- Index