Easy Concert Pieces 2

for Trumpet and Piano
19 Pieces from five Centuries

K. Thielemann: Leichte Konzertstücke 2, TrpKlav (+CD) (0)K. Thielemann: Leichte Konzertstücke 2, TrpKlav (+CD) (1)K. Thielemann: Leichte Konzertstücke 2, TrpKlav (+CD) (2)K. Thielemann: Leichte Konzertstücke 2, TrpKlav (+CD) (3)K. Thielemann: Leichte Konzertstücke 2, TrpKlav (+CD) (4)

John Dowland: Come again, sweet love (Demo)

John Dowland: Come again, sweet love (Play-Along)

Vivaldi: Der Frühling (Demo)

for:
Trumpet (B-flat), piano
Musical Editions:
Piano score, solo part, playback-CD
Item no.:
675966
Editor:
Level:
easy
Scope:
56 pages; 23 × 31 cm
Release year:
2018
Publisher / Producer:
Producer No.:
ED 22556
ISBN:
9783795710583
ISMN:
9790001161305

Description

The Easy Concert Pieces series presents easy to intermediate pieces for trumpet with piano accompaniment. Pieces typical of their era and suitable for auditions, public performance, competitions or examinations are ordered according to level of difficulty in three volumes. These Easy Concert Pieces also provide appealing additional material for use in trumpet lessons.

All the pieces are recorded on the CD included with each book, both in full and playback versions (piano accompaniment). In addition to the enclosed part for trumpet in Bb, a part for trumpet in C (Schott ED 22555-01) is available for download at www.schott-music.com.

Volume 1 (ED 22555) contains very easy to easy pieces with a range up to written c”, with d” appearing as a short top note in just a few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articulation that can be mastered quickly and easily make this book ideal for beginners.

Volume 2 (ED 22556) contains easy to intermediate pieces with a range no higher than f”. Besides extending rhythmic scope and requiring a little more in terms of phrasing and articulation, these pieces will encourage further exploration of musical contrasts.

Volume 3 (ED 22557) is of medium difficulty and intended for players with a well-developed embouchure who can play notes up to written g”, though this note only appears as a short top note. Flexible articulation and legato playing with a well-developed dynamic range are required for pieces that are longer than those in the preceding volumes.

Content

  • J. Dowland (1563–1626): Come again sweet love
  • D. Buxtehude (ca.1637–1707): Symphonia (aus Heut triumphieret Gottes Sohn)
  • M.-A. Charpentier (1643–1704): Prélude (aus Te Deum)
  • J. Clarke (1674–1707): The Prince of Denmark’s March
  • A. Vivaldi (1678–1741): Allegro (aus Frühling)
  • G. P. Telemann (1681–1767): Adagio (aus Trompetenkonzert)
  • J. Clarke (1674–1707): Trumpet Tune
  • J. S. Bach (1685–1750): Aria (aus Bauernkantate)
  • G. F. Händel (1685–1759): La Réjouissance (aus Feuerwerksmusik)
  • W. A. Mozart (1756–1791): Der Vogelfänger bin ich, ja (aus Die Zauberflöte)
  • L. van Beethoven (1770–1827): Szene am Bach (aus Sinfonie Nr. 6)
  • F. Chopin (1810–1849): Prélude (Regentropfen)
  • G. Verdi (1813–1901): Va, pensiero (aus Nabucco)
  • G. Puccini (1858–1924): Il bel tambur maggior (aus La Bohème)
  • R. Wagner (1813–1883): Steuermann, lass die Wacht (aus Der fliegende Holländer)
  • A. Sullivan (1842–1900): The Policeman’s Song (aus The Pirates of Penzance)
  • M. Seiber (1905–1960): Foxtrot
  • K. Thielemann (*1978): A Tribute to “Alice in Wonderland”
  • D. Hellbach (*1958): Memories
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