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Content
- "Foreword by John Marcellus
- Introduction
- About David Vining
- I. Preliminary Studies
- I. 1. Basic Pitch Matching (1)
- I. 2. Basic Pitch Matching (2)
- I. 3. Basic Pitch Matching with No Rest Before Singing
- I. 4. Basic Pitch Matching: Scale-wise
- I. 5. Two Familiar Songs
- I. 6. Ode to Joy from Symphony No. 9
- II. Intermediate Studies
- II. 7. Scale-wise C Major
- II. 8. Scale-wise Major/Minor
- II. Scale-wise Ab Major
- II. 10. Amazing Grace
- II. 11. Scale-wise Ab Major
- II. 12. Scale-wise C Major and A Minor
- II. 13. Scale-wise Eb Major: Singing Every Other Note
- II. 14. Scale-wise A Major
- II. 15. Danny Boy
- II. 16. Scale-wise Major/Minor: Singing Every Other Note
- II. 17. Scales and Arpeggios
- II. 18. E-Minor Chant
- II. 19. D-Dorian Chant
- II. 20. O Come
- O Come Emmanuel
- III. Advanced Studies
- III. 21. Eb Major Arpeggio
- III. 22. Major/Minor Scales
- III. 23. Sonata in F (Movement I)
- III. 25. Scales/Arpeggios/Thirds: D Major/B Minor
- III. 26. Etude in F Major
- III. 27. Natural Slurs
- III. 28. 'Tis the Gift to be Simple
- III. 29. Circle of Fourths
- III. 30. Interval Study
- III. 31. F Major Intervals
- III. 32. Diminished Triads
- III. 33. Octatonic Scale
- III. 34. Whole Tone Scale
- IV. Intervals
- IV. 35. Scale-wise Widening Intervals
- IV. 36. Chromatic Widening Intervals
- IV. 37. Chromatic Intervals
- IV. 38. Thirds (1)
- IV. 39. Thirds (2)
- IV. 40. Fourths
- IV. 41. Fifths
- IV. 42. Ascending Sixths
- IV. 43. Descending Sixths
- IV. 44. Ascending Sevenths
- IV. 45. Descending Sevenths
- IV. 46. Tritones
- IV. 47. Wide Intervals
- IV. 48. Random Intervals
- V. Arpeggios
- V. 49. Major Arpeggios (1)
- V. 50. Major Arpeggios (2)
- V. 51. Minor Arpeggios
- V. 52. Major and Minor Arpeggios (1)
- V. 53. Major and Minor Arpeggios (2)
- V. 54. I-IV-V7
- V. 55. I-IV-ii-V7
- V. 56. I-IV-V Inverted
- V. 57. ii-V-I Jazz Style
- V. 58. Diminished Arpeggios
- V. 59. Augmented Argpeggios
- V. 60. Dominant-Seventh Arpeggios
- V. 61. Seventh Arpeggios
- V. 62. Mixed Arpeggios
- VI. Melodious Etudes: Bordogni
- VI. 63. No. 2
- VI. 64. No. 5
- VI. 65. No. 6
- VI. 66. No. 12
- VI. 67. No. 15
- VII. Orchestral Excerpts
- VII. 68. ""Tuba Mirum"" from Requiem
- K. 626
- VII. 69. ""Adagio"" from Symphony No. 3 (Organ)
- VII. 70. ""Hungarian March"" from Le Damnation de Faust
- Op. 24"
